The Artwork of Peggy Strong

In August 1933, a talented 20 year old Tacoma artist set out for Paris. Her name was Peggy Strong and on the road between Laramie and Medicine Bow Wyoming, with her boyfriend Harry Laning driving, they blew a tire. He was unhurt in the crash but Peggy woke up with her spine severed. She never walked again but she never stepped off the road to searching for and making art.

By 1936, Strong was studying  figure drawingweb1_160909_EDH_strong_tsr and portraiture in Detroit with Sarkis Sarkisian and in 1938 her Woman in Green was included in the National Exhibition of American Art at Rockefeller Center in New York. From there she joined artists like Thomas Hart Benton and Jacob Lawrence as a muralist for the Works Progress Administration working in a stylized realism. In her studio work she explored an expressionistic, abstract approach to figures and began to grin and evolve her own pigments and ideas about color. In 1939 she was included as one of 60 women artists in the Golden Gate International Exhibition at the San Francisco World’s Fair.

Richards_Studio_D182506Strong found residencies around the country  but worked primarily and prolifically from her studio in Tacoma. Her portraits in particular became increasingly blended with social commentaries and observations about privilege and equity. In 1940 she completed a massive 18 foot long mural for the Wenatchee Post Office and then during the Second World War finished a set of murals on the theme of Paul Bunyan in the Troops in Transit Lounge at Tacoma’s Union Station (Now at UPS). In the late 1940, Strong moved to San Francisco, where she had achieved such notoriety. Her work began to convey moments of despair mixed with her steady reflections of the human figure. She died in June 1956 at her brother’s home in Eugene at only 44. Here’s a look at her work.






For more on Peggy Strong see David Martin’s essay in the Winter 2017 issue of Columbia Magazine, WSHS.

Written by

This site is about the way history, in this case of a city and it's surrounds, is remembered or recorded in stories and small bits of memory. It's also about the way images and stories go together, how they inform and enrich each other and how we as thinking people fill in the content between a narrative and a visual document. So here is my city in time past, the way it looked and the people and events that create its character. For more than 20 years I have taught a 5 credit course on the History of Tacoma at the University of Washington Tacoma. With an average of 30 or 40 students a year, each doing a research paper as their primary focus for the course, I have benefited from many paths of inquiry and many researched and assembled stories. Here are some of them in the retelling along with the treasures of photographs and images in the collections of the Washington State Historical Society, Tacoma Public Library, University of Washington Digital Archives, Washington State Archives at the Office of the Secretary of State, Library of Congress, Washington State University, Alaska State Library, and many other archives, libraries and private collections.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: